Showing posts with label #Herstory. Show all posts
Showing posts with label #Herstory. Show all posts

Tuesday, September 19, 2017

Aphra Behn: A Secret Life

Aphra Behn: A Secret Life by Janet Todd illuminates the life of a fascinating 17th-century woman

LISA REDMOND
Janet Todd’s masterly biography of the first professional lady of letters has been reissued by Fentum Press 21 years after it originally appeared. In the intervening years Behn has become a regular feature of many English degrees. I asked the author how she feels Aphra Behn’s critical reputation has changed and one of the things Janet Todd is wary of is that on many English courses Behn is often examined without sufficient reference to her cultural and historical context. “She is securely taught in many universities now, in women’s and post-colonial studies and where Restoration literature is a course within an English degree. Only in the last is she put firmly within her historical and literary context. Critical work has tended to concentrate on The Rover and Oroonoko, discussing issues of interest to us now and often finding modern ideas of gender, race and class in her work rather than teasing out her meanings within her historical frame.”
Literary biographies are a fascinating read because they give us a new insight into the author’s works; in this case however Todd uses Behn’s works to open a window onto her life. Documentary evidence for Behn is scant but Todd’s research is painstaking.
Born Aphra Johnson in Kent in 1640, very little is known of her early years but Todd teases out family connections to Thomas Colepeper and through him to Lord Strangford and Lady Sunderland, which may account for Behn’s literary education. Certainly she was fluent in French and well versed in the classics.
She served as a spy for the court of Charles II in the 1660s through her connection to Thomas Killigrew: spy master, theatre manager and dramatist, but Todd is meticulous in putting together the puzzle of Behn’s activities throughout these years. She gives us a clearer picture of an adventurous young woman with an eye for detail and a fascination for learning and culture who had enough daring, wit and courage to take the risks necessary for the life of a spy and of course in pursuit of payment as well as excitement. Behn’s most famous novel and certainly the one that is most popular on undergraduate courses, Oroonko contains such a wealth of detail of the colony of Surinam and its inhabitants that she must have visited. Todd puts together the connections that took her there and the timeline of her travels. Using the settings of her fictional works, Todd is able to piece together an astounding tale of a woman who acted as an English agent in a variety of European cities. However spying was not a lucrative profession and Behn soon fell into debt. She returned to London to petition the King for payment to clear the debts she had incurred in his service but with payment not forthcoming she was arrested and spent time in debtor’s prison.

JANET TODD
Determined to earn her living by her pen, she worked as a scribe for both The King’s Company and The Duke’s Company, she translated works from French and began to write her own poetry, plays and prose. She had a number of her plays performed throughout the 1670s and 1680s including The Forc’d Marriage and The Rover and they helped to cement her reputation as a wit. Behn used her plays as a channel to attack those whose politics she disagreed with, often lampooning public figures, but they also display her interest in women’s lives and the obstacles they face, in love, marriage and the games that men and women play. In the 1680s Behn began to publish prose pieces and Love Letters Between a Nobleman and his Sister is one of the earliest novels in English. Behn wrote a great deal of erotic fiction and her open and unembarrassed attitude to sex and the female body made her unpopular in the prudish Victorian era. Her reputation was rebuilt by a number of scholars in the 20th century and certainly Janet Todd’s is the most detailed and informative biography we have. I asked Todd if she would change anything were she writing the book today.
“I would apologise less for being speculative than I did then. I made it clear where I was speculating and I grounded my theories on what was already known but I would now make more positive claims for what I was doing. Biography-writing has developed in recent years … When revising the book, I wondered about cutting some historical context, but decided against it. Behn’s life is so rich, so multifaceted and embedded in other lives, that I think she needs to live in quite a fat book.”
Aphra Behn is acknowledged as an important part of the Restoration literary scene but Todd believes that her contribution to the creation of the novel is yet to be widely accepted. “I believe she should be held in as much critical esteem as an innovator and pioneerbut there is a long way to go …” but Todd is confident that scholarly study of Behn is improving. “A recent large British grant supporting study by a group of academics on Aphra Behn is likely to produce detailed scholarly work, especially about sources and historical links. This in turn will undoubtedly lead to further and more illuminating critical assessments. But not yet. For the present I must admit that Aphra Behn hasn’t become quite as famous as I expected. Maybe in another 25 years.”
Aphra Behn lived a life as full, as exciting, and in many ways as scandalous as any heroine, and whether you are in search of a biography of a fascinating woman or one of a hugely influential writer or seek a window onto the political, literary and cultural landscape of Restoration England you will find all three in this page-turning book.

This article was first published by the Historical Novel Society

About the contributor: Lisa Redmond is a reviewer for the HNS. She loves to read and write historical fiction and is currently working on her first novel about 17th-century Scottish witches.

Jane Austen; The Legacy of a Lady



The Legacy of A Lady


'It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife' Probably the most famous opening line in literature. The author was of course Jane Austen who died on July 18th 1817, so this year marks the two hundredth anniversary of her death. There are countless events being organised across the world to celebrate and remember a writer who is undoubtedly one of the most popular novelists of all time, when it comes to the classics Jane Austen is one of the few who is still regularly read for enjoyment and her stories have helped to create a whole industry; Austen-mania is big business.

I am the first to admit that I am a devoted Janeite and just recently attended a fantastic afternoon organised by Jane Austen Ireland in the splendid Georgian room at the Teacher's Club in Dublin. The event featured the performance of Regency music and singing including some of Jane Austen's own favourite pieces as well as readings from her work, an introduction to regency fashions and regency dancing. It was great fun and a fantastic tribute to the great lady.



The stories and indeed the characters that Jane Austen created are now famous beyond the books; in fact there are many who have never read a Jane Austen novel or sat down to watch an adaptation who nonetheless have an awareness of Mr Darcy of Pemberley or the Bennet sisters of Longbourn. Colin Firth will forever be Mr Darcy for a whole generation of Janeites who were treated to a wealth of adaptations during the mid nineties. 1995 was a bumper year with BBC adaptations of both Pride & Prejudice and Persuasion and the Hollywood treatment for Sense & Sensibility starring Emma Thompson and Kate Winslet.


The nineteen nineties may have seen Austen mania take over our televisions but interest in her stories had been building long before; Pride & Prejudice must be one of the most adapted novels of all time. There was a fantastic black and white film version starring Greer Garson and Laurence Olivier which appeared in 1940 and there were two TV mini-series in the nineteen fifties as well as countless stage versions. The BBC adapted all the novels into mini-series during the seventies and early eighties. However Jane Austen's stories were notably absent from our screens during the late eighties and early nineties so that a younger generation discovered her anew when the stories were re-imagined from the mid nineties. It was at this point that the popularity of Jane Austen and her stories really took off. These later adaptations played on the broad appeal of Austen's humour and there was an emphasis on detail so that costumes, hair and background were less gawdy and more authentic than the previous adaptations with their polyester gowns and wobbly sets.



I first discovered Jane Austen at school in the early nineties and went on to study her again during my English degree and I loved her narrative style, her wit and the glorious silliness of many of her characters. So having read all of the novels, I was an avid viewer of everything Austen. The late nineties and early noughties saw a huge growth in works; films, books and other formats that were inspired by Austen books rather than direct adaptations, these include the 1995 movie Clueless which is an updated version of Emma set in a Los Angeles high school. Two years later the first of Helen Fielding's Bridget Jones books appeared featuring Mark Darcy. These books have gone on to become a huge film franchise in which Colin Firth once again features as Darcy. The following decade saw a number of popular Bollywood versions of the stories; I Have Found It (2000), Bride & Prejudice (2004) and Aisha (2010). Jane Austen is hugely popular in Asia as the recurring themes of arranged marriages, dowries, and inheritance laws which favour sons over daughters are part of everyday life for many in India and Pakistan making the stories both relevant and easy to adapt.


This decade also saw the beginning of the boom in Jane Austen fan fiction both online and in published form. Sequels to Austen's novels and works inspired by her plots or her characters are nothing new Emma Tennant and Joan Aiken both wrote “Austen” novels in the nineteen eighties and nineties and she was a formative influence on popular historical fiction authors throughout the Twentieth century in particular Georgette Heyer and those who imitated her. But after 2000 there was a flood of books based in Austen's world and featuring her characters that range from tales of class and social commentary such as Jo Baker's Longbourn (2013) which retells Pride & Prejudice through the servants eyes to murder mystery in P.D. James Death Comes to Pemberley (2011) to comedy horror with Seth Grahame-Smith's Pride and Prejudice and Zombies (2009) there are even spin offs which are inspired by the Jane Austen fandom itself Austenland which features an American fan visiting an Austen theme park hit the bestseller lists in 2007 and cinema screens in 2013 and the gloriously funny Lost in Autsen made by ITV in 2008 has a modern London girl do a life swap with Elizabeth Bennet. There are also a growing number of websites and blogs were people can share their own fictional accounts of their favourite Jane Austen characters.


Jane Austen's critical reputation has grown and grown and there have been a number of biographies and re-examinations of her work which have not only established her firmly within the cannon of English Literature but dismissed any earlier notions of cosiness or a conservative or limited world view. These include Jane Austen The Secret Radical by Helena Kelly (2016) The Making of Jane by Devoney Looser (2017) and Paula Byrne's The Genius of Jane Austen (2017). Our obsession with Jane's own story has also been growing with popular films such as Becoming Jane (2007) based on an earlier book which posited the idea of a doomed love affair between Jane and her neighbour's nephew Tom Lefroy both the film and the book seemed to suggest that Lefroy was the inspiration behind Darcy and while that idea was popular with Janeites it was less so with the critics.


Nonethless the productions, books, films, podcasts and theories continue to appear. What is it that draws us to Jane Austen and her world? A nostalgia for a different era certainly, a life of balls and music, dresses and dancing, but I think what really makes us long to be part of that world is the characters. Jane Austen created people that are recognisable and real we can spot ourselves and others amongst her creations and we can laugh at their foibles as she did. Nowadays we can buy Jane Austen mugs and tea towels, take a Jane Austen tour or re-enact a regency dance but I believe Jane Austen's real and lasting legacy is in those carefully drawn characters and her cutting remarks. I would urge anyone who has only ever seen adaptations or updated versions to pick up her books, go back to the source and see what a talented and funny writer she was.

This article originally appeared on the Books Ireland Blog 


Lisa Redmond is a writer and reviewer. She blogs about books, writing and women in history at lisareadsbooks.blogspot.com.



Tuesday, August 1, 2017

Madwoman in the Attic #7 Elizabeth Dorothea Cobbe





Elizabeth Lady Tuite was born in Dublin in 1764, the daughter of Colonel Thomas Cobbe and Lady Eliza Beresford. She married Sir Henry Tuite the 8th Baronet in November 1784. She was a poet and a writer for children. She was the great aunt of Frances Power Cobbe and was said to have been a great influence on her. Lady Tuite's husband died in 1805 and she spent much of the rest of her life living in Bath. Lady Tuite's poetry was considered to be in the romantic style. She was one of the set who attended the literary salon of Elizabeth Rawdon; Countess of Moira who was also a relative. Her poetry was included in an anthology "What Sappho would have Said " by Emma Donoghue. She died in 1850.
Further information can be found in A Dictionary of British and American Women Writers 1660-1800 by Janet Todd and The Cambridge Companion to women's Writing in the Romantic Period by Devoney Looser. 

Tuesday, July 11, 2017

Celebrating 200 years of Jane Austen


The 18th July this year will be the two hundredth anniversary of the death of a literary icon. Creator of some of the most memorable characters in English fiction, Jane Austen was a master storyteller. There will be celebrations among Janeites all year and all over the world but this weekend sees a celebration commence closer to home, in Limerick in Ireland which will continue until December. I am including the full press release below.






JANE AUSTEN200 - LIMERICK
CONTACT: ROSE SERVITOVA
EMAIL: roseservitova@gmail.com

A SERIES OF EVENTS FROM JULY TO DECEMBER 2017 CELEBRATING JANE AUSTEN’S BICENTENARY & LIMERICK’S GEORGIAN HERITAGE

July 16th Austen Afternoon Tea & Talks at No. 1 Perry Square sold out. This event included an introduction to the select teas for the event provided by local tea-merchants, Cahills of Limerick. Serving of Afternoon Tea delights. Historian, Sharon Slater, gives a talk 'Tom LeFroy - Jane's Limerick Beau'."A few words about tea from Emma's friend, Miss Bates of Hampstead" performed by Vanessa Hyde. Presentation and talk from Sinead Ryan Coughlan of the Irish Historical Costumers on Regency Fashion (with model, Sinead Finegan). Melissa Shiels will sing two Irish airs that were found amongst Jane Austen’s music collection.


Other events include;
Culture Night, September 22nd(8pm) at Friarsgate Theatre, Kilmallock, Co. Limerick – a free workshop Historical Costumer & Workshop Presenter, Melissa Shiels, will give a very entertaining and informative talk entitle “Georgian Clothing, Customs and Material Culture”. Melissa will have many examples and recreations at hand for what promises to be a great evening.
September 23rd (2pm) at No.1 Pery Square – Austen Afternoon Tea & Talks – Speakers include editor & journalist, Tim Bullamore on “The Joy of Jane”, Kim Arnold presents a talk “Obstinate Headstrong Girl!: Maxims & Manners in the novels of Jane Austen” and we will have a presentation of men's fashion in the late 18th and early 19th century by the Irish Historical Costumers all accompanied by delicious afternoon tea treats and an occasional song. Attendees will also receive a customised keepsake.
October 5th sees two events facilitated by world-renowned period costume designer and Limerick woman, Eimer Ni Mhaoldomhnaigh. Eimer worked as costume designer for “Becoming Jane”, “Love & Friendship”, “Brideshead Revisited” and “The Wind that Shakes the Barley” amongst many others. Eimer will visit her former college, The Limerick School of Art & Design, to present an informative talk to students on working in theatre and film. That evening, at a public event, Eimer is guest at “An Evening with Eimer Ni Mhaoldomhnaigh” at the intimate drawing rooms of No. 1 Pery Square (7pm). Here she will have some of the costumes from “Love & Friendship” and partake of a Q&A session.
October 23rd 7.30pm– Oscar-nominated movie director and screenwriter, Whit Stillman will join us for a screening of Austen adaptation, the comedy “Love & Friendship” at the University Concert Hall, Limerick. Niall MacMonagle will host a Q&A session with Whit Stillman directly after the screening.
November 3rd (Friarsgate Theatre, Kilmallock) & November 9th (Belltable, Limerick) host New Zealand woman Penny Ashton’s world tour of “Promise & Promiscuity” in a humourous show as she tackles all of Austen's characters with song, dance and appalling cross-stitching. 
Other events include;
  • a talk by Sandra Lefroy on family connections to Austen and William Wordsworth hosted by the Limerick Chapter of the Irish Georgian Society.
  • a collaboration between Sound Heritage Ireland and the Irish World Academy of Music & Dance which will see a musical event of the era re-enacted in a Georgian setting.
For further details please check out our facebook page www.facebook.com/janeausten200limerick where links to events/tickets/websites will be available once finalised.





The curator of Jane Austen 200 is Rose Servitova the author of the Longbourn Letters and I asked Rose to tell me about why Jane Austen is such a big influence, why she decided to write a Pride and Prejudice inspired novel and why she felt that Limerick was the perfect place to celebrate 20o years of Jane. This is what she said.




How Jane Austen Inspired Me?
It was at my grandmother’s house on the foothills of the Ox Mountains in Sligo, during summer holidays, that I discovered my love of reading and there, I found all the classics including the works of Jane Austen. I fell in love with her writing and it has stayed with me since. For years, Pride & Prejudice was my comfort blanket - the book I went back to time and again whenever my life sucked for some reason or other. It was like being held, rocked and soothed. The familiar never bored me instead I sought it out whenever the bottom was falling out of my world and it held me together.
For at least ten years, the idea of writing some kind of tribute to Pride & Prejudice had crossed my mind but I had absolutely no idea what to write. Occasionally, Mr Collin’s diary sprung to mind and when I eventually sat down last year and commenced writing, I knew immediately that it would be disastrous. How could anyone read more than a few pages of his self-importance, deluded gibberish? Instantly, the solution came to me in the form of my other favourite character, Mr Bennet. Four letters existed between these two men in Pride & Prejudice so I would merely have to fill in the gaps and continue until it reached a natural conclusion. They contrasted with each other perfectly and gave me the opportunity to write some great dialogue and witty interaction. That is how The Longbourn Letters came about.  I laughed so much when writing it and I hoped that others would too. Because I love Austen so much and find her minor characters so brilliantly drawn, there was no need for me to go off-track but to stay loyal to her portrayal and hopefully add a bit more detail. Her clever, witty dialogue has influenced my writing greatly – it is what I seek out in other novels and hope to emulate in my own.


How I got involved in Jane Austen 200 – Limerick
Before The Longbourn Letters was published, I began connecting with Jane Austen fans and groups all over the world. I was amazed to see how many were organising celebrations for her bicentenary and, in particular, I was amazed that cities that did not exist 200 years ago were having dances, plays, talks etc… I thought ‘well done, guys’. I always felt that Limerick was a perfect spot to host a Georgian festival as we have the largest Georgian quarter outside of Dublin but when I looked into the Jane Austen angle, I found that we also had many connections with the author. As a qualified event manager and without wanting the bicentenary to pass unacknowledged, I decided to organise an afternoon tea and talks event to mark the occasion. A number of weeks later, I found myself curating a whole series of events running from July to December that include theatre, fashion, music, dance, literature, screen, talks/workshops and tea!! It’s great to see that other parts of the country are doing likewise with events  being held in Dublin, Cork and elsewhere.

https://www.amazon.co.uk/Longbourn-Letters-Correspondence-between-Collins/dp/1911013750/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1499774930&sr=1-1




Rose's book continues the story of the Bennets of Longbourn and Mr and Mrs Collins of Rosings through the letters between the two cousins; the taciturn Mr Bennet and the silly Mr Collins. It is a fitting and joyful response to the original. The perfect book to read this weekend as we celebrate Jane Austen and her legacy.






Monday, June 12, 2017

Widdershins Blog Tour The Books That Made Me


As part of the Blog Tour to celebrate the release of Helen Steadman's first novel I asked Helen to tell me about some of her favourite books as part of my new series The Books that Made Me. Helen responded with three of her favourites from her teenage years and insists that she must have been a contrary young reader as they are rather surprising choices for a writer of historical fiction, nonetheless as the wonderful Meg Ryan said in You've Got Mail "When you read a book as a child, it becomes a part of your identity in a way that no other reading in your whole life does" So on with the books.

The Books Made Me: Helen Steadman The Teenage Years

1984 by George Orwell
‘Nothing was your own except the few cubic centimetres inside your skull.’
This was the most striking book I had ever read, and I don’t think any other book has ever had the same effect on me since. It was the first time I’d read a book underpinned by such enormous ideas. Sinister concepts like thoughtcrime and newspeak were terrifying, as was the totalitarian setting. This book made me think about the world in a different way. It should be compulsory reading for everyone.
Mort by Terry Pratchett
‘Alligator sandwich,’ he said. ‘And make it sna—’
One Saturday afternoon, I found a Discworld book lying in a puddle of beer in the Haymarket, a much-missed Newcastle watering hole. I was a bit bored, and it didn’t seem appropriate to whip out my knitting, so I read the book. It was hilarious and I was immediately hooked on Terry Pratchett. Of all his books, I have a soft spot for Mort, because I love Death as a sandwich artist. Finally, I owe Terry Pratchett because it was in his Discworld books that I first heard the word ‘widdershins’.
One Flew Over the Cuckoo’s Nest by Ken Kesey
‘Man, when you lose your laugh, you lose your footing.’
This book broke my heart when I first read it because it was so shocking that people should suffer like this, and it was my first real inkling of there being such a thing as mental illness. Beyond the shocking and upsetting subject matter, though, was Kesey’s writing. It was unlike anything I’d ever read previously, making me feel as though I was inside the head of someone mentally ill. He also captured language perfectly, so it felt very real and immediate.


In case you missed my review of Helen's outstanding book you can find it HERE

Thanks so much to Helen for taking part in The Books That Made Me 
Helen's book is published by Impress Books and thanks to Natalie for an early reading copy
The blog tour continues details below.


Monday, May 15, 2017

Madwoman in the Attic #6 Frances Power Cobbe


Frances Power Cobbe was born on December 4th 1822 at her family's estate at  Newbridge House in North Dublin. Her family were strongly evangelical in their faith but Frances began to question conventional religious belief and after her mother's death in 1847 she stopped attending church services. In 1855 she published Essay on Intuitive Morals setting out her own belief on religion and ethics. This caused a rift with her father and she left home permanently soon after. Frances travelled extensively in the years that followed and published Italics (1864) about her travels in Italy. She became involved with the Ragged Schools movement in Bristol and her time working with poor, sick and unemployed women fueled her interest in women's rights. She wrote a number of pamphlets and essays on women's education and women's suffrage, campaigning for assault to be grounds for separation. She was a leading member of the National Society for Women's Suffrage. In the 1870s she focused mostly on her campaigns against vivisection and was a founding member of both the National Anti-Vivisection Society and the British Union for the Abolition of Vivisection.
A regular contributor to a number of magazines and periodicals she also wrote an autobiography published in 1894. Frances lived with her lifelong partner the sculptor Mary Lloyd from 1860 until Lloyd's death in 1896. They are buried together at Llanlltyd in Wales were they lived most of their lives.

Monday, March 6, 2017

Madwoman in the Attic #5 Marguerite Power, Countess of Blessington


Marguerite Power was born at Knockbrit, Clonmel, Co Tipperary in 1789. She was the daughter of Ellen Sheehy and Edmund Power who owned a small amount of land. According to her first biographer her father known as 'Buck' Power was a gambler and drinker and Maguerite had an unhappy childhood as the family were constantly in debt. Her father traded Marguerite in payment for gambling debts to Captain Maurice St Leger Farmer, so at 15 Marguerite went from unhappy child to unhappy bride. Her husband starved, beat and imprisoned his wife. The law at the time would offer her no protection and Marguerite's only option was to separate from her husband. When he was posted to India by the army she refused to go with him and instead  moved to London. She was immediately a cause for scandal as she was a 'separated woman' but still a teenager. However her good looks and sparking wit made her extremely popular as a society hostess. Marguerite began an affair with Charles John Gardiner, First Earl of Blessington while both of them were still married but his wife died in 1814 and Farmer died in debtor's prison in 1817 so the pair married in 1818. Blessington was a wealthy and indulgent husband and Marguerite was generous to a fault insisting on helping out a number of relatives in Ireland and England. In 1822 the Blessingtons set out on a Grand Tour. Marguerite was well known in literary circles and struck up a friendship with Byron at Genoa. She later wrote Conversations with Lord Byron. (1834) At Naples she met Irish writer Richard Robert Madden who later wrote her biography (1855). While they were travelling on the continent John invited the dashing Count D'Orsay who had been part of their London circle to join them. With all of them living together and indulging in a life of extravagance it was probably inevitable that D'Orsay and Marguerite began an affair but with a young and healthy husband Marguerite knew that it could be years before they could be together so she devised a plan. She persuaded her husband to arrange a match between his daughter Harriet from his first marriage to D'Orsay so that they could continue to spend time together without any gossip. Ironically just a few months after the marriage in 1829 Blessington suffered a sudden stroke and died  in Paris. He left Marguerite plenty of money, jewels and estates and she establishment her household back in London persuading D'Orsay and Harriet to live with her, after just three years though Harriet walked out exposing her husband and step mother to scandal. Typically D'Orsay was accepted quickly back into society but Marguerite was not. Marguerite turned to writing to support herself and her literary salons were revived. Her home Gore House is now the site of the Albert Hall and writers who visited her included Charles Dickens and Benjamin Disraeli. Marguerite wrote novels; The Repealers or Grace Cassidy (1834), The Governess (1839),  Strathern (1845), The Fatal Error (1847) and travel books The Idler in France (1839) The Idler in Italy (1841) as well as contributing to newspapers and periodicals, she was one of the first writers to have her work serialised in The Sunday Times. Astute in her own business dealings but not in her private life Marguerite and D'Orsay had to leave London to escape their creditors in 1849. Just a few weeks later Marguerite was dead, like her husband before her she suffered a massive stroke in Paris. She is buried at St Germain. 

Friday, February 3, 2017

Madwomen in the Attic #3 Sydney Owenson (Lady Morgan)



Sydney Owenson (Lady Morgan) was born on December 25th in Dublin in the early 1780s. She was always rather elusive about the exact year of her birth. Her father was actor-manager Robert Mac Owen who changed his name to Owenson. although he was Irish, Owenson spent much of his youth in London and so he met and married an English girl Jane Hill before the two travelled to Dublin to settle permanently. Robert Owenson set up a theatrical company in Dublin and Sydney and her sister Olivia spent a great deal of time there. Sydney was mostly educated at home with her sister, they lived on Dame Street in her early childhood but after her mother's death in 1789 her and her sister were sent to private schools around Dublin and then moved to Sligo were their father was working as an actor. There was some financial problems for the family and when Sydney was in her teens she had to accept work as a governess with the Featherstone family of Bracklyn Castle. Sydney blossomed at this point as she had an opportunity to show off her skills; she could sing, dance and play the harp. It was there that Sydney began to write. She published a volume of poetry and a collection of verses for Irish melodies in the early 1800s. She then decided to write a novel, she was an admirer of Fanny Burney and she published St Clair (1804) and The Novice of St Dominick (1806) with much success. It was her third novel however The Wild Irish Girl (1806)  which made her a household name. This book displayed Sydney's passion for Ireland and her patriotic fervour. She used her celebrity to extoll the virtues of Ireland's traditions and history. The Missionary; An Indian Tale followed and numbered Percy Bysshe Shelley amongst its admirers. She also wrote an opera and some proposals on Women's education. Sydney joined the household of John Hamilton 1st Marquess Abercorn and married the family's surgeon Sir Thomas Charles Morgan in 1812. O'Donnell (1814) is widely considered her best work and was praised by Sir Walter Scott. Books on France and Italy were praised by Byron for their authenticity but harshly reviewed elsewhere. Sydney was adept at capturing the ordinary life of the poor and she returned to examining Irish life with Absenteeism (1825) and The O'Briens and The O'Flahertys(1827).
Sydney was awarded a pension by Lord Melbourne for her services to literature, the first women ever to receive such an award. She again asserted her feminist views in Woman and her Master (1840). She began work on her memoirs with Geraldine Jewsbury but they were unfinished at her death in 1859. In 1839 the Morgan's moved to London and Sydney was buried in Brompton Cemetery.
A prolific writer, as well as novels, poetry and non fiction she produced numerous tracts and pamphlets.
A lively and entertaining member of numerous literary circles she was never afraid to poke fun and many of those who reviewed her harshly were caricatured in her fiction.
There is a bust of Sydney in The Victoria and Albert Museum and there is a plaque on Kildare Street in Dublin marking one of her homes.


Wednesday, January 25, 2017

Madwomen in the Attic #2 Regina Maria Roche



Regina Maria Roche (née Dalton) was born in Waterford in 1764 before the family moved to Dublin where she grew up. Little is known about her early life other than that she was the daughter of Captain Blundel Dalton and she is quoted as claiming that books were a passion from a young age and that she had begun to write stories as soon as she could hold a pen. Her first two novels were published in her twenties The Vicar of Landsdowne (1789) and The Maid of Hamlet (1793). Her marriage in 1794 to Ambrose Roche led to a move to England and although her previous books had had some success it was the next book that made her a household name. Children of the Abbey a Gothic Romance published in 1796 was an instant hit. The book went through several editions and was translated into French and Spanish. The book appeared at the height of the Gothic novel trend and Roche quickly followed up with Clermont (1798) a novel with a much darker tone and containing all the trappings we have come to associate with Gothic fiction; a mysterious Countess, an attack by ruffians, a gloomy crypt, a forced marriage. Another huge hit Clermont was one of the seven Gothic novels that the heroine of Northanger Abbey Catherine Morland is told to read by Isabella Thorpe. Another novel followed in 1800 The Nocturnal Visit  but after this the Roches suffered serious financial setback as they were cheated out of an inheritance in Ireland by a dishonest solicitor; an unfortunate mirror of events in Children of the Abbey in which siblings Amanda and Oscar Fitzalan are cheated out of their inheritance Dunreath Abbey by a scheming relative. Regina Maria Roche returned to Ireland in the 1820s after her husband's death. She wrote another eleven novels most of them were picturesque tales of the Irish countryside but none of them reached the heights of success of Clermont and Children of the Abbey. She died in 1845 at the age of 81 in relative obscurity but was remembered fondly in a number of obituaries.



Clemont and  Children of the Abbey are available from Valancourt Books.

http://www.valancourtbooks.com/clermont-1798.html

http://www.valancourtbooks.com/the-children-of-the-abbey-1796.html


Wednesday, January 11, 2017

Herstory





Herstory is a cultural movement aiming to bring into the public focus amazing Irish women from the past; scientists, writers, artists, activists, sportswomen, rebels and much more to rescue them from the dusty forgotten corners and restore them to the forefront of history where they belong. The mission of all involved is that no longer will people say "I've never heard of her." You can find out more about this project at the herstory website and you too can get involved. There will be events all over the country and the project will tour internationally in 2018.    http://www.herstory.ie/


I am interested in learning more about the pioneering women writers of Ireland and so I have planned a project of my own to rediscover the female Irish writers from the past with a new blog post each week.  I aim to collect a whole series of Madwomen in the Attic.