The Strange Case of Madeleine Seguin

A striking blend of fiction and fact William Rose’s novel focuses on a patient at the famous Salpêtrière Hospital in Paris as the 19^th Century draws to a close. The author presents us with a series of reports, case notes and letters written by the various characters who each for their own reason has a particular interest in Madeleine and her development. Through the letters we are given a glimpse into the decadent world of the fin de siècle and the various groups and salons; the experimental young artists and poets, those dabbling in magic and the occult and the scientists and psychiatrists who both help and experiment on the people they treat. There is a gothic undercurrent to the narrative which makes it darkly compelling and sinister. There is a sense of hedonism and thrill seeking amongst a number of the protagonists which intensifies the decadent and gothic atmosphere of the story.

The book places the mad girl at the centre of the story but as in life it is not her voice we hear, instead we only learn about her through others. The author presents a fascinating insight into a particular place and time; The Countess fascinated by the devil, the young artist seeking an introduction into society, the young doctor and his rejection of religion in favour of science and the professor as a kind of impresario using his patients as props to impress. The author’s interest in psychoanalysis and art is apparent and makes for an intriguing combination. A recommended read for fans of Diana Bretherick.

Reviewed for HNR Issue 78

https://historicalnovelsociety.org/reviews/the-strange-case-of-madeleine-seguin/

The Raven's Head by Karen Maitland

This review originally appeared in the Historical Novels Review Issue 71 February 2015. You can also see it online here http://historicalnovelsociety.org/reviews/the-ravens-head/

The Raven’s Head is an intoxicating blend of history, mystery and magic, and Maitland’s storytelling is deft and detailed. Told in the form of three interlocking narratives, the stories converge beautifully. The raven’s head is a beautiful carved silver object covered in alchemical symbols, and Vincent is stuck with it after his attempt to blackmail his master causes him to leave his job as an apprentice scribe in France. On the run, Vincent is a wanted man and begs passage to England hoping to sell the head and make enough money to become a wealthy man. However, the raven’s head is powerful, and it refuses to be sold. Meanwhile young Gisa, the apothecary’s niece, must put all her knowledge of herbs and plants to use in her new position as a servant for the mysterious alchemist Lord Sylvain. We also get the story of young Wilky, given to the Abbey where the strange and secretive White Cannons promise an education for young boys in their care, but when the boys begin to disappear it seems they also have a darker purpose.

Each story is spun out separately, but in the final section of the book they come together as Lord Sylvain’s experiments grow increasingly dangerous and magical. Maitland’s research is superb, and her storytelling wonderfully captures the period. The book also includes a useful glossary of medieval words and some historical notes on the supernatural beliefs of the time and the practice of alchemy. Highly recommended.

A Little in Love by Susan Fletcher

A Little in Love is based on a very familiar story, which many will know from the stage and screen adaptations of Les Miserables. Although I'm sure there are many out there who have tackled Victor Hugo's massive and epic novel, I must admit I have never attempted it. My fifteen year old daughter is currently reading it,so perhaps one day I will. Susan Fletcher's retelling through the eyes of Eponine is much more approachable. It offers YA readers a great introduction to a literary classic as well as a fascinating glimpse into a tumultuous period in French history. Eponine is a wonderful character; she is the daughter of two selfish and thoughtless thieves and she is taught to steal almost from birth yet she transforms herself into a heroine. Her story is tragic and there is no happy ending, the author addresses the heroine's tragic death in the first page but nonetheless we want to read on,to hear her tell her story in her own voice. As a study in character development this book is outstanding but it is also and more importantly for readers a great story. By turns tragic, shocking and heartwarming this is Susan Fletcher's first YA novel and I will be interested to see what she does next.

A Little in Love is published by Chicken House and available in paperback now ( Thank you to the publisher for a copy to review)