Spellslinger is the first book in a brand new YA fantasy series from Hot Key books by acclaimed fantasy author Sebastien de Castell. Spellslinger is the story of Kellen who at 15 is preparing for the mage trials. These are the magical duels in which young mages get to show off their skills. Kellen's only problem is that his magic is fading instead of getting stronger and if he can't prove himself as a Jan'Tep mage he will end up as a servant; a Sha'tep with no magic. So he pretends to have magic and cheats his way through the trials, until he loses a duel and is almost killed. Rescued by a sassy, female card player who has nothing but disdain for magic Kellen soon finds himself opposing his own people and making choices he never thought he would. This is powerful, page-turning and incredibly humorous writing. Perfect for fans of Rebel of the Sands and A Darker Shade of Magic. There is real originality in the storytelling and some amazing characterisation. I particularly like the fact that there are a number of strong and interesting female characters. I am very excited to continue this series and I can highly recommend it to fantasy fans YA or otherwise.
I asked the author Sebastien de Castell to tell me about the five books that have had the biggest impact on his writing.
5 Books That Influenced My Writing
1. Moonheart by Charles De Lint
I'd never even heard the term "urban
fantasy" until I read de Lint's Moonheart, but this story of magic and
myth set in a mysterious house in Ottawa, Canada soon made it a favourite genre
of my teenage years. De Lint made the ordinary magical, and it became
impossible to walk by interesting old buildings without wondering whether
evidence of the fae might be found inside, or pass by a pub and hear a Celtic
band playing, and wonder if perhaps they were summoning more than just music. I
imagine Charles de Lint, having written so many acclaimed stories over the
years, would rightfully feel he long ago surpassed his early work, but to me,
Moonheart was enchanting in every sense of the word.
2. The Golden Compass (a.k.a. Northern Lights) by
Phillip Pullman
Everything about Phillip Pullman's His Dark
Materials trilogy is enthralling. His heroine, Lyra Belacqua is brilliant,
daring, and deceitful; the world he creates is full of armoured polar bears and
personal daemons, anbaric devices and wonderfully complex alethiometers. Yet
none of these fantastical elements would be nearly as captivating were it not
for the darkness that Pullman
unflinchingly exposes his characters to in the books. People aren't all nice,
parents aren't all loving, and religion, authority, and society itself are all
exposed as constructions that need to be challenged. For a writer, His Dark
Materials is an invitation to question the often self-imposed boundaries of
what themes can be explored in a book for children and young adults.
By the way, the second book in the series, The
Subtle Knife, has one of my very favourite passages in all of literature:
She had asked: What is he? A friend or an enemy?
The alethiometer answered: He is a murderer.
When she saw the answer, she relaxed at once. He
could find food, and show her how to reach Oxford, and those were powers that were
useful, but he might still have been untrustworthy or cowardly. A murderer was
a worthy companion.
3. When We Were Orphans by Kazuo Ishiguro
Neither a fantasy nor a mystery nor a literary
nor a . . . Well, if you really think about it, When We Were Orphans – like
most of Ishiguro's novels – defies genre categorization. At the same time, it's
a remarkably accessible and engrossing story in which the reader is never
entirely sure what's going on, but always wants to see what will happen next.
When We Were Orphans was the book that taught me that not only could a narrator
be at least a little unreliable in relaying the facts of the story, but that we
need to recognize that all narrators are unreliable to one degree or another,
and this is, in part, what allows a novel to lay bare its deeper truths for us.
4. Jhereg by Steven Brust
Jhereg was the first fantasy novel I'd ever read
in which people didn't speak in a fake version of Medieval English full of
thee's and thou's. It taught me that voice is just as important in telling a
story as character, and that you can build a wide cast of entertaining and
imaginative characters without having to spend hundreds of pages on exposition
and backstory. I love the web of relationships that Brust builds around his
hero, Vlad, while still making him feel isolated from everyone but his
familiar, the small dragon (and eponymous Jhereg), Loiosh.
5. City of Thieves by David Benioff
You wouldn't expect the guy who brought us the
screenplay for X-Men Origins: Wolverine to have written a brilliant novel of
friendship, hardship, and daring set in Stalingrad during World War II, but
David Benioff's City of Thieves is all that and more. It's a brilliantly told
tale full of twists and turns as two men are offered a chance at survival if
they can find a dozen eggs in a city where no one's seen a chicken in ages. In
some ways City of Thieves is reminiscent of the
picaresque novels that began in the 16th Century, with our two protagonists
going through a series of adventures in a setting that is at once familiar to
us and almost unimaginably strange. Oh, and in case the name sounds familiar,
it's because Benioff went on to be the showrunner for Game of Thrones.
Spellslinger by Sebastien de Castell is
published 4th May by Hot Key Books, price £12.99 in hardback
Thanks a million to Sophie Goodfellow for a copy
