Showing posts with label Literary Heroines. Show all posts
Showing posts with label Literary Heroines. Show all posts

Tuesday, September 19, 2017

Aphra Behn: A Secret Life

Aphra Behn: A Secret Life by Janet Todd illuminates the life of a fascinating 17th-century woman

LISA REDMOND
Janet Todd’s masterly biography of the first professional lady of letters has been reissued by Fentum Press 21 years after it originally appeared. In the intervening years Behn has become a regular feature of many English degrees. I asked the author how she feels Aphra Behn’s critical reputation has changed and one of the things Janet Todd is wary of is that on many English courses Behn is often examined without sufficient reference to her cultural and historical context. “She is securely taught in many universities now, in women’s and post-colonial studies and where Restoration literature is a course within an English degree. Only in the last is she put firmly within her historical and literary context. Critical work has tended to concentrate on The Rover and Oroonoko, discussing issues of interest to us now and often finding modern ideas of gender, race and class in her work rather than teasing out her meanings within her historical frame.”
Literary biographies are a fascinating read because they give us a new insight into the author’s works; in this case however Todd uses Behn’s works to open a window onto her life. Documentary evidence for Behn is scant but Todd’s research is painstaking.
Born Aphra Johnson in Kent in 1640, very little is known of her early years but Todd teases out family connections to Thomas Colepeper and through him to Lord Strangford and Lady Sunderland, which may account for Behn’s literary education. Certainly she was fluent in French and well versed in the classics.
She served as a spy for the court of Charles II in the 1660s through her connection to Thomas Killigrew: spy master, theatre manager and dramatist, but Todd is meticulous in putting together the puzzle of Behn’s activities throughout these years. She gives us a clearer picture of an adventurous young woman with an eye for detail and a fascination for learning and culture who had enough daring, wit and courage to take the risks necessary for the life of a spy and of course in pursuit of payment as well as excitement. Behn’s most famous novel and certainly the one that is most popular on undergraduate courses, Oroonko contains such a wealth of detail of the colony of Surinam and its inhabitants that she must have visited. Todd puts together the connections that took her there and the timeline of her travels. Using the settings of her fictional works, Todd is able to piece together an astounding tale of a woman who acted as an English agent in a variety of European cities. However spying was not a lucrative profession and Behn soon fell into debt. She returned to London to petition the King for payment to clear the debts she had incurred in his service but with payment not forthcoming she was arrested and spent time in debtor’s prison.

JANET TODD
Determined to earn her living by her pen, she worked as a scribe for both The King’s Company and The Duke’s Company, she translated works from French and began to write her own poetry, plays and prose. She had a number of her plays performed throughout the 1670s and 1680s including The Forc’d Marriage and The Rover and they helped to cement her reputation as a wit. Behn used her plays as a channel to attack those whose politics she disagreed with, often lampooning public figures, but they also display her interest in women’s lives and the obstacles they face, in love, marriage and the games that men and women play. In the 1680s Behn began to publish prose pieces and Love Letters Between a Nobleman and his Sister is one of the earliest novels in English. Behn wrote a great deal of erotic fiction and her open and unembarrassed attitude to sex and the female body made her unpopular in the prudish Victorian era. Her reputation was rebuilt by a number of scholars in the 20th century and certainly Janet Todd’s is the most detailed and informative biography we have. I asked Todd if she would change anything were she writing the book today.
“I would apologise less for being speculative than I did then. I made it clear where I was speculating and I grounded my theories on what was already known but I would now make more positive claims for what I was doing. Biography-writing has developed in recent years … When revising the book, I wondered about cutting some historical context, but decided against it. Behn’s life is so rich, so multifaceted and embedded in other lives, that I think she needs to live in quite a fat book.”
Aphra Behn is acknowledged as an important part of the Restoration literary scene but Todd believes that her contribution to the creation of the novel is yet to be widely accepted. “I believe she should be held in as much critical esteem as an innovator and pioneerbut there is a long way to go …” but Todd is confident that scholarly study of Behn is improving. “A recent large British grant supporting study by a group of academics on Aphra Behn is likely to produce detailed scholarly work, especially about sources and historical links. This in turn will undoubtedly lead to further and more illuminating critical assessments. But not yet. For the present I must admit that Aphra Behn hasn’t become quite as famous as I expected. Maybe in another 25 years.”
Aphra Behn lived a life as full, as exciting, and in many ways as scandalous as any heroine, and whether you are in search of a biography of a fascinating woman or one of a hugely influential writer or seek a window onto the political, literary and cultural landscape of Restoration England you will find all three in this page-turning book.

This article was first published by the Historical Novel Society

About the contributor: Lisa Redmond is a reviewer for the HNS. She loves to read and write historical fiction and is currently working on her first novel about 17th-century Scottish witches.

Jane Austen; The Legacy of a Lady



The Legacy of A Lady


'It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife' Probably the most famous opening line in literature. The author was of course Jane Austen who died on July 18th 1817, so this year marks the two hundredth anniversary of her death. There are countless events being organised across the world to celebrate and remember a writer who is undoubtedly one of the most popular novelists of all time, when it comes to the classics Jane Austen is one of the few who is still regularly read for enjoyment and her stories have helped to create a whole industry; Austen-mania is big business.

I am the first to admit that I am a devoted Janeite and just recently attended a fantastic afternoon organised by Jane Austen Ireland in the splendid Georgian room at the Teacher's Club in Dublin. The event featured the performance of Regency music and singing including some of Jane Austen's own favourite pieces as well as readings from her work, an introduction to regency fashions and regency dancing. It was great fun and a fantastic tribute to the great lady.



The stories and indeed the characters that Jane Austen created are now famous beyond the books; in fact there are many who have never read a Jane Austen novel or sat down to watch an adaptation who nonetheless have an awareness of Mr Darcy of Pemberley or the Bennet sisters of Longbourn. Colin Firth will forever be Mr Darcy for a whole generation of Janeites who were treated to a wealth of adaptations during the mid nineties. 1995 was a bumper year with BBC adaptations of both Pride & Prejudice and Persuasion and the Hollywood treatment for Sense & Sensibility starring Emma Thompson and Kate Winslet.


The nineteen nineties may have seen Austen mania take over our televisions but interest in her stories had been building long before; Pride & Prejudice must be one of the most adapted novels of all time. There was a fantastic black and white film version starring Greer Garson and Laurence Olivier which appeared in 1940 and there were two TV mini-series in the nineteen fifties as well as countless stage versions. The BBC adapted all the novels into mini-series during the seventies and early eighties. However Jane Austen's stories were notably absent from our screens during the late eighties and early nineties so that a younger generation discovered her anew when the stories were re-imagined from the mid nineties. It was at this point that the popularity of Jane Austen and her stories really took off. These later adaptations played on the broad appeal of Austen's humour and there was an emphasis on detail so that costumes, hair and background were less gawdy and more authentic than the previous adaptations with their polyester gowns and wobbly sets.



I first discovered Jane Austen at school in the early nineties and went on to study her again during my English degree and I loved her narrative style, her wit and the glorious silliness of many of her characters. So having read all of the novels, I was an avid viewer of everything Austen. The late nineties and early noughties saw a huge growth in works; films, books and other formats that were inspired by Austen books rather than direct adaptations, these include the 1995 movie Clueless which is an updated version of Emma set in a Los Angeles high school. Two years later the first of Helen Fielding's Bridget Jones books appeared featuring Mark Darcy. These books have gone on to become a huge film franchise in which Colin Firth once again features as Darcy. The following decade saw a number of popular Bollywood versions of the stories; I Have Found It (2000), Bride & Prejudice (2004) and Aisha (2010). Jane Austen is hugely popular in Asia as the recurring themes of arranged marriages, dowries, and inheritance laws which favour sons over daughters are part of everyday life for many in India and Pakistan making the stories both relevant and easy to adapt.


This decade also saw the beginning of the boom in Jane Austen fan fiction both online and in published form. Sequels to Austen's novels and works inspired by her plots or her characters are nothing new Emma Tennant and Joan Aiken both wrote “Austen” novels in the nineteen eighties and nineties and she was a formative influence on popular historical fiction authors throughout the Twentieth century in particular Georgette Heyer and those who imitated her. But after 2000 there was a flood of books based in Austen's world and featuring her characters that range from tales of class and social commentary such as Jo Baker's Longbourn (2013) which retells Pride & Prejudice through the servants eyes to murder mystery in P.D. James Death Comes to Pemberley (2011) to comedy horror with Seth Grahame-Smith's Pride and Prejudice and Zombies (2009) there are even spin offs which are inspired by the Jane Austen fandom itself Austenland which features an American fan visiting an Austen theme park hit the bestseller lists in 2007 and cinema screens in 2013 and the gloriously funny Lost in Autsen made by ITV in 2008 has a modern London girl do a life swap with Elizabeth Bennet. There are also a growing number of websites and blogs were people can share their own fictional accounts of their favourite Jane Austen characters.


Jane Austen's critical reputation has grown and grown and there have been a number of biographies and re-examinations of her work which have not only established her firmly within the cannon of English Literature but dismissed any earlier notions of cosiness or a conservative or limited world view. These include Jane Austen The Secret Radical by Helena Kelly (2016) The Making of Jane by Devoney Looser (2017) and Paula Byrne's The Genius of Jane Austen (2017). Our obsession with Jane's own story has also been growing with popular films such as Becoming Jane (2007) based on an earlier book which posited the idea of a doomed love affair between Jane and her neighbour's nephew Tom Lefroy both the film and the book seemed to suggest that Lefroy was the inspiration behind Darcy and while that idea was popular with Janeites it was less so with the critics.


Nonethless the productions, books, films, podcasts and theories continue to appear. What is it that draws us to Jane Austen and her world? A nostalgia for a different era certainly, a life of balls and music, dresses and dancing, but I think what really makes us long to be part of that world is the characters. Jane Austen created people that are recognisable and real we can spot ourselves and others amongst her creations and we can laugh at their foibles as she did. Nowadays we can buy Jane Austen mugs and tea towels, take a Jane Austen tour or re-enact a regency dance but I believe Jane Austen's real and lasting legacy is in those carefully drawn characters and her cutting remarks. I would urge anyone who has only ever seen adaptations or updated versions to pick up her books, go back to the source and see what a talented and funny writer she was.

This article originally appeared on the Books Ireland Blog 


Lisa Redmond is a writer and reviewer. She blogs about books, writing and women in history at lisareadsbooks.blogspot.com.



Tuesday, July 18, 2017

Even more Jane Austen




There are a lot of articles on the web today about Jane Austen, an awful lot so I thought I would curate some of the more interesting ones for you. I am collecting these various strands together as much for myself as anything else since I am working on an article on Jane Austen and her literary legacy.

Irish Times: Writers on Jane Austen

The Guardian Podcast on Jane Austen with Sara Pascoe and Lucy Worsley

BBC Culture on Jane Austen's final unfinished novel Sanditon

The Guardian asked writers to discuss their favourite Austen novel

and so did The History Girls blog

Lit Hub article on Austen as a political symbol

Finally my friend Meabh wrote a lovely piece on the Jane Austen event we attended last Sunday. There's pictures.



Jane Austen 200


Today is the two hundredth anniversary of the death of Jane Austen and I couldn't let the day go unmarked. I attended a celebration of all things Jane, her life her works and the music, songs, dancing and costumes of the era with a group of fellow Janeites last Sunday. It was great fun and thanks so much to Aislinn Ní Uallacháin of Jane Austen Ireland for organising such a great event. You can like the Jane Austen Ireland page on facebook at the link below and see some photos from the event.
https://www.facebook.com/janeaustenireland/

To celebrate the anniversary Rose Servitova author of The Longbourn Letters is running a special offer and the kindle edition of her book is now free for a limited time at the amazon links below.

UK and Ireland                                 USA

Thursday, May 15, 2014

Mansfield Park by Jane Austen


Mansfield Park was published 200 years ago this week. It was the book Jane Austen published immediately following her success with Pride & Prejudice and it tells the story of Fanny Price a poor relation of the Bertram's of Mansfield who is brought to live with the family when she is ten years old.
Fanny is a character that a twenty-first century audience will find hard to understand. She keeps her mouth shut even when she disagrees with what others are doing and she remains resolutely good even when the bad behaviour of the other characters leads to her getting hurt. She is the moral compass at the centre of a group of characters of questionable morals. In a way Austen is at her most bleakly comic with this novel as she paints the upper class, as condescending, flighty, arrogant and lazy. Fanny is a lot like Jane herself taking it all in observing not really getting involved possibly because Jane like Fanny held a precarious poistion in society, having to be supported by male relatives. Fanny is never treated as an equal at Mansfield Park she is a niece that was taken in to relieve the burden of her upbringing from her parents who had nine children and were very poor. Fanny is told right from the start that she is inferior and immediately her aunts and cousins treat her as such. Only her cousin Edmund is kind to her but no matter how much he speaks up for her, Fanny will never speak badly about her relatives - she wants to be thought of as a quiet, grateful and no trouble at all.
The Crawfords when they arrive cause a ripple in the carefully subdued society of  Mansfield, Fanny is the only one who seems to be unaffected by them. I first read this book at nineteen and I identified with Fanny trying to find her way in society. Twenty years later I find it harder to sympatise with her - she is too quiet, too weak-willed too willing to please. She doesn't have the spark or the wit that other Austen heroines have. The bad girls get all the good lines in this book and so for me it doesn't appeal as much as Pride & Prejudice or Perausion which is much more mature and belanced work. The book was made in to a movie in 1999 which was arguably the best adaptation of the novel so far though it differs in that there is greater detail about the slave trade which supported grand estates like Mansfield and the dissolute lifestyle that wealthy man and women lived in the regency period.

My book club were invited to speak about Mansfield Park for the Bord Gais Energy Book Club on TV3(Ireland) and we were filmed today I will include a link to the discussion when it is available online.

Monday, May 13, 2013

Two Hundred Years of Pride and Prejudice





Last Friday BBC2 broadcast Pride and Prejudice: Having a Ball which was an authentic recreation of The Netherfield Ball one of the key scenes in the book. I had planned to blog about how excited I was about watching this show as indeed were many other Janeites across the Internet however my blog was sadly neglected last week as other things took precedence, including reaching the 15k point in my novel but more about that later. 
However I am kind of glad I didn't blog about my excitement because I'm sorry to report that I was rather disappointed. I was delighted to learn about the food of the regency era it was an interesting aspect of the show as food historian and chef Ivan Day had the stressful job of preparing a feast of regency, soups, fish, jellies and puddings which in authentic regency style were all placed on the table at once and the guests simply helped themselves. However the food seemed to take second place to the rather patronising tones of the two presenters. 
The male presenter Alistair Sooke was someone I'd never encountered on TV before and I watch a lot of historical documentaries, a Google search reveals him to be an art historian so I fail to see the connection to Jane Austen. The female presenter Amanda Vickery is an expert on regency history and I have enjoyed watching her in previous programmes but I felt her presenting style here was a little high handed as though regency customs might be alien to the viewers, this seems a silly presumption because who else but an ardent Austen fan would watch a recreation of the Netherfield Ball on a Friday night. She also seemed more interested in discussing the frocks and frills which were no doubt a major part of any young person's preparations for a ball but the least interesting to me. 
There was also a lot of focus on the dancing, which given that it was ball was fair enough but firstly all of the dancers were professionals, so that's cheating because the balls in Austen's books would have had a mixture of age groups, ranks and abilities. Also we were never introduced to any of the dancers even though several of them spoke on screen about their experiences and they appeared to be acting the part of regency belles and beaus but we didn't see them receive any coaching in manners or etiquette. In fact the strict codes of class and rank were hardly mentioned other than a few sentences uttered by the presenters/onlookers as they like Mrs Bennett watched the dancers from the side-lines. The other major problem with this programme was that Jane and her characters were conspicuous by their absence as the dancers were never introduced either as actors or characters I struggled to work out who they were meant to be. Which of them was Darcy? Who was Elizabeth and if they weren't there then why not? It all seemed a little impersonal. Yes it was a recreation of a regency ball but it was not the Netherfield Ball and that was rather a let-down.

I have also been marking the 200th birthday of one of my favourite books and back in March I attended a Jane Austen write-a-rama at the Pavilion Theatre in Dun Laoghaire. This was the brainchild of writer and Jane Austen fan Sarah Webb. The workshop was for mothers and daughters, a brilliant idea which I haven't encountered before, of course Sarah made it clear that the participants could equally be Aunt and Niece or Godmother and Godchild or some other combination of adult and child but both had to be interested in Jane Austen and in writing. Sarah is an accomplished writer for adults and children and has organised many workshops and events in the past. I have had the pleasure of meeting her on a number of occasions and in fact when I was working as a Children's Bookseller for Eason O'Connell Street Sarah was the Children's Buyer and Marketing Manager so she was essentially my boss. 
All who attended the workshop seemed to be Jane Austen fans and many of the girls made no secret of the fact that they were Sarah Webb fans with a couple of them announcing a desire to become writers when they grow up, me too I thought. The workshop was a great mixture of fashion; Sarah came in costume, weird jewellery; she brought along authentic 19th Century mourning bracelets made from the hair of some of her dead ancestors and writing; Sarah read passages aloud from Austen's books and brainstormed a story idea with the group. We also got a glimpse into the Austen mania with chat about the many books, films and merchandise related to Austen that is now available and we even found time to watch the memorable scene from the 1995 BBC production where Darcy emerges from the lake at Pemberley dripping wet so I imagine another generation of Colin Firth fans have been created. A morning well spent I thought. 

I have also been marking the anniversary by re-reading the novel with my bookclub. I treated myself to a lovely new Vintage edition and reading a host of other books about Austen.


Pictured above are my new copy of Pride and Prejudice and my lovely Penguin edition of Sense and Sensilbility, May, Lou & Cass Jane Austen's Nieces in Ireland by Sophia Hillan,  Jane Austen the World of her Novels by Deirdre Le Faye, Jane Austen by Marghanita Laski, A Truth Universally Acknowledged 33 reasons Why We Can't Stop Reading Jane Austen ed by Susannah Carson and the lovely new book by Paula Byrne The Real Jane Austen.

Wednesday, March 13, 2013

Literary Heroines


I am very excited to have received copies of these two new biographies about two of my literary heroines. Both of them talented and both of them died too young. Mad Girl's Love Song by Andrew Wilson is out now from Simon & Schuster and The Real Jane Austen by Paula Byrne is published by Harper Press